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Soft Cell's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell alongside Marc Almond in Leeds during 1977

Dave Ball, one half of the pioneering 1980s electronic music duo Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the duo achieved a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a seminal work of electronic music.

He later founded the innovative electronic act The Grid, who secured chart success with 1994's Swamp Thing.

Ball passed away calmly in his rest at his residence in London on Wednesday 22 October, only a short time after playing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

During that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, after a period of health issues.

"I ended up damage myself significantly," he stated in a recent interview. "I broke lower vertebrae in my back and fractured about multiple ribs and broke my arm."

After catching a lung infection and developing sepsis, he was put in an induced coma and remained in the hospital for half a year.

Nevertheless, he had been in "high spirits emotionally" during the warmer months, as he was developing a new album with Almond, titled the upcoming Danceteria, which is set for publication next year.

"He was concentrated and very pleased with the latest project that we literally completed only a short time ago," stated the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting time for him, and I find comfort from the fact that he heard the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his bandmate as "a wonderfully brilliant musical genius", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant aspect of my existence and for the songs you created with me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "constant humor" and "steadfast support".

"Being in a partnership with someone is distinct from joining a band, the bond is incredibly close," he added.
"That's how it was with us. We went through so many extraordinary, incredible, life-affirming moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Early Life

Born into a one-parent family in Chester in 1959, Ball was put up for adoption when he was 18 months of age.

He grew up in the seaside town with his new family Donald and Brenda Ball, who altered his given name from Paul to David, together with his younger sister his sister, who was also adopted.

He met Almond at an art college in 1977, where they were both learning fine arts. Inspired by a mutual passion of Northern Soul, they formed Soft Cell the very year, and promptly recorded an EP.

Musical Partnership

The duo were an distinctive pairing: Ball was the quiet musician, bent over his keyboard, while Almond was a charismatic performer, all sparkle and eye-liner; but they achieved a rare musical alchemy.

Ball had developed a fascination with synthesizers after viewing the band Kraftwerk appear on a television program Tomorrow's World, and began to combine dark electronica to the soaring melodies Almond was writing.

Tainted Love became the UK's second biggest-selling single of 1981, selling 21 million units globally. Alongside hits by Gary Numan, Human League and Ultravox, it helped paved the path for the electronic music style of the 80s.

The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The duo were developing fresh songs right up until Ball's death

Professional Journey

Fame had its upsides. "I loved being able to afford my initial property, having money and exploring, which makes me sound like a beauty queen," Ball not long ago told with a publication.

But it also presented challenges. "Newfound wealth meant we could afford substances to alleviate the monotony" of press appearances and television shows, Ball said.

"I know that's a cliché, but it's a cliché for a valid cause, because it works for so many bands."

Amidst the hedonistic lifestyle, the pair were also growing distant, but they succeeded to create a second classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They put out one more album, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on other projects.

Almond went on to have a successful solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with ambient pop over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell came back together in 2001, releasing the charting album Cruelty Without Beauty.

Following another hiatus, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on 30 September, that year.

However, they stayed active, recording their latest project, Happiness Not Included, during the 2020 restrictions.

Ball recently described the band's upcoming release as a homage to the NYC nightlife they frequented while recording their first two albums.

He noted that his period in medical care had influenced the group's music.

"I had strange recollections when I was in and out of the hospital because I was on pain medication," he told a music magazine.
"Our latest tracks are a electronic representation of the sounds in my mind from those days.
"Simultaneously, it's about the times we got up to in the 1980s."

The final mixes were completed only days before Ball died. It is due for release in Spring 2026.

The writer

April Morales

Tech enthusiast and writer passionate about emerging technologies and their societal impacts.

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